Notable early examples include Planet, Ufo Club and Walfisch, which laid the foundation for the Tresor legacy. Power plants, bunkers, hangers and underground stations became temporary clubs. This led to the rise of new kinds of clubs - unregulated, temporary venues with no given legal restrictions. Many abandoned and ownerless buildings were taken over by young crowds to organise illegal events. Jarre introduced his debut album, Oxygene, in 1976, which further fuelled the interest in psychedelic electronic music across the Northern hemisphere.Īfter the fall of the Berlin Wall in 1989, the city unified and made way for a thriving underground scene, of which electronic music became a catalyst as much as a byproduct. Being an avid explorer of technological possibilities while taking inspiration from musique concrète, Jarre crafted a fine balance between atmosphere, abstraction and melodic structures in his musical works. Meanwhile in France, Jean-Michel Jarre developed his own take on electronic music during the seventies. As the titles suggest, his two albums, Trancefer (1981) and En=Trance (1987), clearly referred to the induced mindset that his music was aiming to convey. The Berlin School pioneer concentrated on mixing minimalist music with repetitive rhythmic motifs, arpeggiated sounds, composing several albums of atmospheric space experimentality that would come to be known as kosmische. One of Tangerine Dream’s early members, Klaus Schulze, decided to venture on a solo career after the band’s first album. Their psychedelic soundscape brought this new sound palette to the masses, and laid the foundation for the so-called Berlin School. Following the band’s debut album Electronic Meditation in 1970, Tangerine Dream’s second album, Phaedra, in 1973 proved to become their breakthrough. Froese, a sculptor who studied with Salvador Dali, was active in West Berlin’s psychedelic scene in the late sixties, but was seeking a new outlet for experimental music. The band transformed contemporary music from something merely electric into something electronic, birthing a deeply technological art form. Regardless of these challenges, it was during this period that Edgar Froese founded Tangerine Dream in 1967. Throughout the seventies, German electronic music groups like Kraftwerk and Tangerine Dream took their first steps in this new and exciting world of beats and bleeps.Īs the city of Berlin was divided into East and West, its citizens faced strict ruling ever since that captivated the city in a paralysed state. The global influence of German artists, record labels and venues on electronic music has been immense. These efforts ignited a more psychedelic approach to dance floors across the globe. By creating extended edits of all sorts of ‘electronic’ music tracks, focusing on their synthesizer and drum machine sounds, he created a ritualistic atmosphere that suited the natural environment and spirit of Goa. Inspired by the free spirits of Goa, Laurent initially moved to Goa for a few months in the early eighties, yet ended up staying to hone his craft. Psychedelic rock bands fitted that line of thought, until the introduction of experimental electronic music from Europe changed the sound across the eighties.įrenchman DJ Laurent was one of them. Although the music wasn’t electronic per se, the aim of DJs - who often played using DAT-tapes - was to create a trance-inducing experience amongst the crowd. After the region became de-colonised, the beaches of Goa became a prominent place for freedom seekers - mostly Europeans and Americans.īy the late sixties, Goa quickly gained a reputation as a destination for its anarchic vibe, in which psychedelic drugs - most notably LSD, also known as free acid punch - and small-scale beach parties went hand in hand. was a Portuguese colony from 1510 until 1961 (with brief intervals of British occupation), which is traceable in the catholic churches and monasteries across the state. The breakdown takes on a trippy vibe with awesome effects and impactful stabs before a mind-blowing crescendo.The multi-cultural history of Goa, located on the Western coast of India and the country’s smallest state, has its place in the books of trance music. This mix features hounding monster lines and mammoth risers - that are both passionate and tumultuous. The second track from this EP is a remix of 'Venom' from the super talented Orisma. The breakdown treats you to some stunning mesmerising arp lines before the kick and bass return. The title track is full of bounce with a dynamic bassline, kicking beats, lots of deep risers and fierce stabs. Out next on YSE we have PRO-Gram with 'Venom'.
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